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In fact, you don’t just get the program and preview monitoring, every single source coming into your Tricaster has its own live monitor too.
SWITCHER STUDIO TIPS SOFTWARE
So having an audio engineer with complete control on a desk that was routed to my vision mixer was essential for that particular setup.īecause a Tricaster is not just hardware, like an ATEM vision mixer might be, it is also software-driven, meaning that when using the software you have multiview, real-time, monitoring right within the interface. Each recording was a podcast and live social video program in its own right. I used an external desk in my productions because the recordings were for multi-purpose output. It’s worth mentioning that you can also use an external audio desk and route the desk’s audio into the Tricaster but you won’t have control over each mic connected to your desk from within the Tricaster itself, just the main output. With it, you can create mixminus’ and solo individual audio channels to create whatever setup you like. That means you have finite control over each individual source’s audio levels from within the software.
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Multichannel Audio MixingĪll Tricaster switchers come with a software-driven audio mixer. That means you can connect two calls and switch between them and the studio or have split-screen whenever and however you like. With Tricasters you don’t have to worry about integrating external Skype calls into your programming, you already get 2 Skype channels inside of the Tricaster software.
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Skype IntegrationĪ large majority of streamed programming on social media (and in broadcast TV too) use phone/video interviews with correspondents in remote locations or to speak with sources/experts on a given subject. This is great for picture-in-picture use or effectively adding more options to your keyers. With mix effects, you can take any element, source, or graphic you choose and combine it with another.
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With Tricaster switchers you have banks full of what they call Mix Effects (M/Es). Something that is often overlooked with video switchers is the ability to use a source within another source. You get 4 keyers that are essentially stackable, so you can use all 4 to create one graphic or have 4 individual graphics. The keyers are also a fantastic addition, enabling you to add overlays, lower-thirds, or effects at the touch of a button. Original image source ©NewTekĪs well as NDI offering Tricaster’s the potential to have unlimited sources at their fingertips you also get the fantastic DDRs, Graphics Buffers, Downstream Keyers, Macro commands, PTZ control, easy to see and use multiview and numerous recording/streaming options. With NDI enabling end-to-end IP workflow with high-quality, low-latency streaming to any platform or broadcast anywhere in the world. NewTek has revolutionized the way we produce digital video and in recent years, revolutionized the way it is delivered too. NewTek has been building Tricasters for digital video switching for well over a decade and the experience they have is shown in every product they make. Tricasters are built by NewTek who also came up with one of my most talked about software protocols, NDI. There are of course other competitors to the Tricaster, such as Broadcast Pix, Wirecast & vMix but none of these, in my opinion, have everything that a Tricaster has to offer.